A few days ago, I discovered something incredibly interesting online. I stumbled upon a feature on Antariksha Sanchar, described on their own Instagram page as video game + dance opera + graphic novel + electronic music + art merch. Even conceptually, the idea is just so fresh, and for a Tam such as myself, so relatable. To draw from the official website, Antariksha Sanchar is a point and click adventure inspired by the dream theorems of prodigious mathematician Srinivasa Ramanujan and originated from an opera by the classical dancer Jayalakshmi Eshwar.
There seems to be plenty to dig into here, and I sense a rabbithole forming for myself. But let me talk about the electronic music aspect of that long description. The two Antariksha Sanchar albums by Murthovic are splendid heady mix of electronic music and Carnatic classical music. Through collaborations with incredibly talented instrumentalists and producers, the album traverses through such a rich variety of sounds, while managing to create two coherent opuses of moody downtempo. It’s incredibly difficult to strike this balance while covering entirely new artistic ground.
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I’m so happy I struck upon these albums and will keep reporting on my discoveries down this rabbithole. The albums are available on Bandcamp and Spotify, and I highly recommend checking them out.
Teeth of the Sea’s 2023 record, Hive, is one of my favourite records of the year. It’s a tightly produced alt-psych rock record. It’s low on lyrics, high on sonic exploration. And it manages to occupy this fairly unique space without sounding like a prog record (thank goodness).
I have yet to hear an underwhelming Thou record. A decade after Heathen, Thou’s 2024 release, Umbilical, is just as fantastic a representation of Thou’s brand of sludgy doom. Or is it doomy sludge?
Post-punk has made a strong resurgence of late. On some other occasion, I’ll list out some of the great post-punk records from the last few years here so I can better commit them to memory: Squid’s Bright Green World and the song Houseplants, Wet Leg’s self-titled records, Dry Cleaning’s New Long Leg and particularly the album opener Scratchcard Lanyard, others.
Nourished by Time’s Erotic Probiotic 2 is – far and away – my favourite record made in 2023. I love its simplicity, a feature it shares with Sleaford Mods’ UK GRIM, another favourite from 2023. However, it shares its vocabulary with synth-based R&B unlike UK GRIM’s post-punk.
In this piece, I navigate the intricate soundscapes of Pinegrove's Audiotree performance, set against the backdrop of the bustling city and its ubiquitous cafes. My exploration of indie studio sounds, alongside an introspective study of key indie bands, unravels a tale of life, hope, rejection, and the unending rhythm of the urban existence.
I don’t believe I’m in a position to share any facts about the band Basement except that, in the 2010s, they played lightly distorted mildly noisy alternative rock. And that in 2012, they recorded an album called Colourmeinkindness, which has a sound that serves as a great backing track for the part of one’s life that’s punctuated by deeply introspective walks in the blistering heat.

